Charlie Morrow
spinet pieces	In life I was silent and in death I do sing, World Premiere 2004 spinett (with Gerd Stern), World Premiere 2004
statement	Two-Manual Concept Works for Spinet In Life I was Silent but in Death I do Sing is a series of sound art works based on the physical materials of music instruments. In these works for Spinet. a second electronic keyboard (manual) is played in addition to the spinet keyboard. Manual two plays samples based on spinet sounds recorded by Egino Klepper and processed by Matt Stine with Morrow's direction. Other realizations are envisioned with live sound processing. Spinett The companion work for the two keyboard (manual) performance is based on Stine's sampled phrases from poet Gerd Stern's reading of his sound  poem.
link	www.cmorrow.com
country	USA
bio	CHARLIE MORROW is a conceptualist whose music and sound work explores many styles and forms, from events for media and public spaces to commercial soundtracks, new media productions, museum installations and programming for broadcast and festivals. He is president and creative director of Charles Morrow Associates, Inc. and of The New Wilderness Foundation, Inc. Morrow sound installations have been presented in major museums such as the Louvre, Paris, Chicago Museum of Science and Industry, Whitney Museum, American Museum of Natural History. He has composed music for multimedia and orchestra with 3D such as a miniature Haydn "Clock Symphony" for Paik's Swatch Watch ZAPPING. He has created feature film soundtracks in the U.S. and Europe. ScruTiny in the Great Round (with Rice Dixon, and Jim Gasperini) won the MILIA D’OR 96 at Cannes. He created the audio tours for the Great Platte River Road Memorial Archway, NEB winner of a Thea Award 2001.In 2003 he invented the Morrow Sound Cube spatial sound delivery systems and the following year co-produced the New Sound New York Sound Cube show at The Kitchen. 2004 he participated in the Future of Sound, at the British Academy Awards.